Surreality check

Taking leave of her senses: Christine Entwisle's Lisa Jones is a woman slipping into Dissocia's hinterland of psychosis and hallucination
10 April 2012

Hyperbole possessed the enthusiastic reviews that greeted the 2004 Edinburgh Festival production of this Anthony Neilson play about Lisa Jones, a woman taking leave of her right mind and slipping into Dissocia's hinterland of psychosis and hallucination.

Neilson succumbs to fantasy himself by claiming The Wonderful World of Dissocia virtually defines a new theatrical form of "psycho absurdism".

In fact, his surrealist black comedy comes dressed up in a new cut from the old-hat Theatre of the Absurd, with trimmings borrowed from Alice in Wonderland, Chitty Chitty Bang Bang and David Lynch - spiritual inner-linings supplied by 1960s therapist RD Laing.

The first act, in Dissocia, teems with comic, creative satire on contemporary Britain and imaginative variations on Lewis Carroll-like logic and word games. Christine Entwisle's bemused Lisa discovers from Barnaby Power's sinister watch-repairer that she has lost a crucial hour in her life and can recover it in the country of Dissocia.

When plunged into this limboland, Insecurity Guards frisk her, a half-human Scape Goat attempts anal rape before Amanda Hadingue's hilarious, robot-like council employee comes to the rescue and takes the young woman on a bombing spree from a flying car.

A zombie-like Lisa is restored to reality and a neon-lit hospital room in the ponderous second act. Nurses regiment her. An exasperated boyfriend, Vince, complains. An adorable, singing polar bear from Dissocia reappears, as if belabouring the false notion that her madness is more seductive than sanity.

By imaging the dramatic life into which Lisa trips when abandoning medication and comparing it with her doped hospital torpor when back on medication, Neilson seeks to suggest why Lisa will always return to Dissocia. This comparison distorts her life-dilemma. Lisa's stay in hospital is temporary. In the end she prepares to go home to the boyfriend.

Neilson, who directs his own exuberant production, would have made a better argument if he had contrasted the wanderings of Lisa in Dissocia and her domestic life with Vince.

Closes 21 April. Information: 020 7565 5000.

The Wonderful World Of Dissocia
Jerwood Theatre At The Royal Court
Sloane Square, SW1W 8AS

Create a FREE account to continue reading

eros

Registration is a free and easy way to support our journalism.

Join our community where you can: comment on stories; sign up to newsletters; enter competitions and access content on our app.

Your email address

Must be at least 6 characters, include an upper and lower case character and a number

You must be at least 18 years old to create an account

* Required fields

Already have an account? SIGN IN

By clicking Create Account you confirm that your data has been entered correctly and you have read and agree to our Terms of use , Cookie policy and Privacy policy .

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged in